Tag Archives: The Crimson Horror

Day 48 of 50th Anniversary Countdown – The Top 10 Cliff Hangers of the Sixties

Standard

Image

One of the most frustrating aspects of 21st Century Doctor Who is the almost complete absence of cliff hangers.  Very few stories have extended beyond one episode.  In a clear nod to William Hartnell era stories, the Series 7 story The Crimson Horror ended with a direct lead-in to the next story, Nightmare in Silver. Arriving back in present-day London, the companion Clara meets with the children she babysits, Angie and Artie, who blackmail her into taking them on her next adventure in the TARDIS.

Clara is blackmailed by Angie and Artie in the conclusion of The Crimson Horror

Clara is blackmailed by Angie and Artie at the conclusion of The Crimson Horror (2013)

In celebration of the great cliff hangers of Classic Series Doctor Who  this article will briefly examine the Top 10 Cliff Hangers of the Sixties.  So as not to reinvent the wheel, The Doctor Who Mind Robber has directly quoted the episode ending summaries from David J Howe and Stephen James Walker’s seminal book The Television Companion. No copyright infringement is intended.

David J Howe & Stephen James Walker's The Television Companion was published in 2003 by Telos Publishing

David J Howe & Stephen James Walker’s The Television Companion was published in 2003 by Telos Publishing

10.          Fury From the Deep – Episode 3

“Maggie Harris and Robson, both infected by the weed creature, meet on the beach.  The former tells the latter that he will obey his instructions.  Then she turns and walks straight out into the sea, eventually becoming completely submerged beneath the waves”.

The horror of this cliff hanger is the apparent suicide of Maggie Harris, the wife of one of the base employees.  It is not until several episodes later that it becomes evident that Mrs Harris is still alive.  Incidentally, Fury From the Deep is one of the few Doctor Who serials in which no one dies.

Unfortunately all episodes of Fury From the Deep have been lost, however the soundtrack, telesnaps and Loose Cannon’s excellent reconstruction brilliantly convey the horror.

In the cliff hanger to episode three Maggie Harris walks into the water, as if to commit suicide

In the cliff hanger to episode three Maggie Harris walks into the water, as if to commit suicide

9.            An Unearthly Child – Episode 1

“The TARDIS arrives on a Palaeolithic landscape, over which falls the shadow of a man”.

This is the cliff hanger to the very first episode of Doctor Who and it’s the first time that the television viewers see the TARDIS materialize.  The ominous shadow of a man in the barren landscape is both frightening and unexpected.

The ominous shadow of a man approaches the TARDIS in the cliff hanger to An Unearthly Child

The ominous shadow of a man approaches the TARDIS in the cliff hanger to An Unearthly Child

8.            The Mind Robber – Episode 1

“The TARDIS is in flight, the travellers having apparently escaped from the void.  A low, throbbing hum is heard which grows in intensity until it is unbearable.  Suddenly the TARDIS explodes.  The Doctor spins away through space while Jamie and Zoe are left clinging to the console as it is engulfed in swirling mist.”

The end of the first episode of The Mind Robber is absolutely brilliant.  This is the first time in Doctor Who that the TARDIS explodes and the crew is left floating perilously in space. The image of Zoe clinging onto the TARDIS console has become iconic for all the wrong reasons.  Her tight sparkly cat suit clings to her body as the camera focuses on her bottom.

Wendy Padbury in the scene for which, unfortunately, she is perhaps best known

Wendy Padbury in the scene for which, unfortunately, she is perhaps best known

7.            The Massacre – Episode 3

“The Abbot of Amboise lies dead in the gutter, a crowd of angry Catholics gathering around his body.  When Steven protests that the Huguenots were not responsible, Roger Colbert incites the crowd against him.  Steven flees for his life through the Paris streets …”

The Massacre sees William Hartnell play two roles – the Doctor and the evil Abbot of Amboise.  Both characters are absolutely identical in appearance however the audience and companion Steven are unaware if the Doctor is masquerading as the Abbot, or if the Doctor and the Abbot are two different people.  It’s for that reason that this cliff hanger is so powerful as it is not clear if it is the Doctor or the real Abbot who is dead.

The Massacre is another of the serials which unfortunately has  all episodes missing.  As discussed in Fury From the Deep, this does not distract from the potency of the ending.

Steven with the body of the Abbot of Amboise

Steven with the body of the Abbot of Amboise

6.            The Tenth Planet – Episode 4

“The Doctor returns to the TARDIS, closely followed by Ben and Polly.  The ship’s controls move of their own accord and the Doctor collapses to the floor.  His companions enter and, before their astonished eyes, the Doctor’s face transforms into that of a younger man”.

This episode ending is of course Doctor Who’s first regeneration. The First Doctor, William Hartnell, collapses and with exceptional special effects for the era, his face is transformed into that of the Second Doctor, Patrick Troughton.  The audience must wait until the next episode to see all of the new Doctor’s body and to experience his personality.  There was no precedent for a change of the lead character in such a manner, and the audience was left stunned as they anticipated the new Doctor’s personality and physical appearance.

Episode 4 of The Tenth Planet has been lost however an amateur film was taken of a television screen during the broadcast of the episode.  The episode has also been recently animated and will be released on DVD next month.

5.            The Dalek Invasion of Earth – Episode 1 and Episode 6

“The Doctor and Ian, menaced by a group of Robomen, prepare to escape by diving into the Thames. As they turn, they see rising slowly from the water the familiar shape of a Dalek.” (Episode 1)

“The TARDIS dematerialises and, comforted by David, Susan moves away.  Her TARDIS key lies discarded on the ground, with an image of a starscape superimposed …” (Episode 6)

The cliff hanger of episode 1 derives its force from both the iconic background of the Thames River and the emergence of Doctor Who’s first return monsters, the Daleks. Having been so well received in their first story, the return of the Daleks was eagerly anticipated by fans.  As was the common practise in early Doctor Who stories, the monsters rarely appeared on-screen until the end of the serial’s first episode.

The episode six ending marked the first departure of a companion in Doctor Who. Just prior to the episode’s end the Doctor gave an impassioned oration to his grand-daughter Susan whom he was effectively deserting on the 21st Century Earth.

A submerged Dalek emerging from the Thames River

A submerged Dalek emerging from the Thames River

Susan talks to the Doctor through the Tardis's PA system

Susan talks to the Doctor through the TARDIS’s PA system

4.            Planet of Giants – Episode 2

“After cleaning Farrow’s blood from the patio stones outside, Smithers goes into the laboratory to wash his hands, unaware that the Doctor and Susan are hiding in the water outlet from the sink.  As a helpless Ian and Barbara watch, he fills the sink with water, washes, and then pulls out the plug”.

The brilliance of the episode 2 cliff hanger of Planet of the Giants is that it successfully made the mundane frightening.  Watching a plug pulled from a sink and water cascading down a drain would ordinarily be exciting as watching the kettle boil. Our heroes, however, have been shrunk to less than an inch in height and are as vulnerable as an ant is to the heavy boot of a human.  The companions Ian and Barbara, together with the audience, are left paralysed with fear at the imminent drowning of the Doctor and Susan.

The Doctor and Susan before descending into the sink drain

The Doctor and Susan before descending into the sink drain

3.            The Daleks – Episode 1

“Exploring their apparently deserted city, Barbara encounters one of the Daleks and is menaced by its telescopic sucker arm.”

As outlined in The Dalek Invasion of Earth, it was standard practice in early Doctor Who for the monsters not to emerge until the cliff hanger of the first episode.  This absolutely iconic ending sees Barbara pinned to a wall in fear as a Dalek’s sucker arm menaces her.  The audience has not yet seen the rest of the Dalek’s body however the expression on Barbara’s face paints a picture of a horrifying spectacle.

Barbara is pinned against the wall in fear during the Daleks' first appearance in Doctor Who on 21st December 1963

Barbara is pinned against the wall in fear during the Daleks’ first appearance in Doctor Who on 21st December 1963

2.            The War Games – Episode 1 and Episode 10

“In the First World War zone the Doctor has been found guilty of spying against the English forces and is tied up before a firing squad.  Captain Ransom brings his men to order, tells them to present arms and opens his mouth to give the order to fire.  A shot rings out and the Doctor grimaces” (Episode 1)

“A still protesting Doctor spins away through a dark void to begin his sentence of exile on Earth with a new appearance.  His face is shrouded in shadow …” (Episode 10)

By the time the first episode of The War Games was broadcast Patrick Troughton’s decision to leave the role of the Doctor had been made public.  Whilst history had shown that the Doctor always escaped serious harm, the audience could not be certain that his luck hadn’t finally ended.  Perhaps he would be killed by the firing squad and regeneration was imminent?

Episode 10 is perhaps my all-time favourite as so many mysteries about the Doctor’s past are answered. His forced regeneration at the episode’s end is chilling but perhaps not as sad as Jamie and Zoe’s departure earlier in the episode.  The monochrome era of Doctor Who was at an end and things would never be the same again.

The Doctor grimaces as a shot rings out

The Doctor grimaces as a shot rings out

1.            The Invasion – Episode 6

“The Cybermen emerge from the sewers and march through the streets of London as the invasion begins.”

The Cybermen’s emergence from the sewers of London and their march down the steps of St Paul’s Cathedral is justifiably iconic. By placing the monsters in an easily recognizable London landscape genuine fear would have been instilled in the audience.  Although the Daleks had visited tourist spots such as Westminster Bridge in The Dalek Invasion of Earth, the Cybermen were in current day London.  This wasn’t one of the Daleks’ futuristic tales but rather a genuine invasion in our own time.  As Jon Pertwee said,  there’s a “Yeti on the Loo in Tooting Bec”.

Perhaps the most iconic cliff hanger in classic series Doctor Who.  The Cybermen on the steps of St Paul's Cathedral

Arguably the most iconic cliff hanger in classic series Doctor Who. The Cybermen on the steps of St Paul’s Cathedral

TOMORROW – DAY 47 – The 10 Greatest Billy Fluffs 

YESTERDAY – DAY 49  – The 10 Least Remembered Monsters of the Sixties

Vivien Fleming

©Vivien Fleming, 2013.

Advertisements

The Space Pirates

Standard

Image

Coming in at 195 in the 2009 Doctor Who Magazine Mighty 200, The Space Pirates has the unfortunate reputation as the least popular Patrick Troughton era Doctor Who serial. It is also the last story that is missing from the BBC Archives.  For anyone undertaking a complete marathon this alone is a cause for much celebration. But is The Space Pirates really as bad as its renown would suggest?  In the absence of five of the six episodes, the answer is largely a moot point.  A particularly visual story, The Space Pirates suffers inordinately from the absence of moving pictures.  Moreover, the complete absence of any telesnaps for the serial has made its reconstruction astonishingly difficult. John Cura had taken 35mm photographs from his television screen of the vast majority of Doctor Who episodes.  Generally providing between 70 and 80 photos per programme, these images have become an important record of otherwise lost Doctor Who visuals.  Cura had ceased photographing and selling his telesnaps to the BBC not long prior to his death in April 1969. For further information on John Cura and his telesnaps please see About the Doctor Who Mind Robber.

The Doctor and Jamie upon arrival in The Space Pirates

The Doctor and Jamie upon arrival in The Space Pirates

As if any further hindrances were required, the soundtrack for The Space Pirates is the most muddy of the entire fan recorded missing episode audios.  The renegade old time prospector, Milo Clancey, is frequently credited as the stand-out character in the serial.  I have to admit, however, to finding it almost impossible to comprehend what he was saying. Portrayed by the New Zealand born Australian actor, Gordon Gostelow, Clancey has one of the worst faux American accents in Doctor Who’s illustrious history. It’s not the American accent, however, that I find difficult to understand. Although my hearing is generally fairly reasonable, I very occasionally have difficulty understanding male voices on TV.  When last I had a hearing test the audiologist provided me with a detailed explanation of the reasons why.  I won’t bore you with the details, but hasten to add that the muddy soundtrack of The Space Pirates made it nigh on impossible for me understand most of the largely male cast.

The old time pioneer of space exploration, Milo Clancey

The old time pioneer of space exploration, Milo Clancey

Writing a review of a story bereft of visual images and with a soundtrack which I could barely understand makes for a particularly difficult task.  It’s for that reason that my observations on The Space Pirates will be reasonably short and sweet. I highly recommend that you view the second part of Loose Cannon’s introduction to The Space Pirates, the link for which appears below.   The audio for this introduction, I might add, is crystal clear and provides an excellent summary of several “firsts” for the story, including Doctor Who’s first space opera;  first pirate take on a traditional American Western theme; first episode recorded on 35 mm film; first recording in Television Centre 4;  first episode (save for Mission to the Unknown) in which no regular cast members were present for a studio recording; and finally, the first time that John Nathan-Turner worked on a Doctor Who episode.   The Space Pirates is also credited for having the greatest time lapse between the commencement of an episode and the appearance of the Doctor and his companions.  Emerging onscreen fifteen minutes into the first episode, this is even longer than the 14 minutes it took for the Eleventh Doctor to appear in the Series Seven episode, The Crimson Horror.

The Doctor and his crew collapsed

The Doctor and his crew collapsed

It would be remiss if I failed to mention Madelaine Issigri’s fabulous metal hair.  Women’s wigs in the near future are not only made of metal, but are also styled with an exceptionally large beehive at the back, as opposed to the top, of the head.  It’s just brilliant! Whilst discussing women’s fashion, Zoe’s hotpants are just divine.

Madelaine Issigri had the most fabulous metal wig

Madelaine Issigri had the most fabulous metal wig

That wig again!

That wig again!

Zoe's hotpants

Zoe’s hotpants

The Doctor and his companions were noticeably absent from the greater part of The Space Pirates and could be fairly said to have played supporting roles.  Patrick Troughton’s request for a lighter acting role undoubtedly accounted for this to some degree.  In respect of the final episode, the TARDIS crew were heavily engaged in the location shoot for their final adventure, The War Games.  Accordingly the Doctor, Zoe and Jamie only appeared in pre-filmed inserts for that episode. The results of the Crew’s location filming will be evident in my next review as we say farewell to the monochrome era of Doctor Who, and the Second Doctor, Jamie and Zoe, in The War Games. 

The Space Pirates was originally broadcast in the UK between 8 March and 12 April 1969

The Space Pirates was originally broadcast in the UK between 8 March and 12 April 1969

Episode two of The Space Pirates has been released on the triple DVD set Lost in Time

Episode two of The Space Pirates has been released on the triple DVD set Lost in Time


Vivien Fleming

©Vivien Fleming, 2013.