Monthly Archives: September 2013

Building a Complete Doctor Who DVD Collection – UK Based Online Retailers

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Last month I posted 10 Tips for Building a Complete Doctor Who DVD Collection.  Since then I’ve become aware of a couple of UK based online retailers that provide free or low cost world-wide postage.  If you know of any others please add a comment.

Fishpond – In my first article I discussed the Australian based Fishpond retailer.  The link to the international Fishpond site is here. Fishpond offer free shipping anywhere in the world and currently have some exceptionally good bargains on Region 2 Classic Series Doctor Who. For less than $8.00 Australian you can buy such Fourth Doctor titles as The Sun Makers, The Brain of Morbius, The Seeds of Doom, Robot and Nightmare of Eden. The list of cheap titles goes on and on. As advised previously, please be mindful that Fishpond are particularly slow in their dispatch of DVDs. Easily anticipate at least a month for arrival.

Fishpond

Zavvi.com – This UK based retailer offers standard international delivery for 99p. Having never purchased from them I can’t attest to the quality of their service. The link for Zavvi is here. They’ve currently got a number of Classic Series Region 2 DVDs for £7.95.

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Vivien Fleming

Padders

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Talking of Wendy Padbury, I’m reblogging this interesting blog post which I’ve just come upon. Enjoy!

mydoctor1962's avatarMY Doctor Who

I venture back into one of my favourite era, Patrick Troughton’s to look at the personage of Wendy Padbury. “Padders” as Frazer Hines calls her.

She played Zoe Herriot, computer genius from the then-future.

Known also for 60’s catsuits on her petite thin frame.
Pat Troughton’s era didn’t do “modern” companions.
Zoe started in “The Wheel in Space” and was there until the end of Troughton’s era in “The War Games“.
Her intellect rivals that of the Doctor’s, and she has a photographic memory. And she showed it off frequently trying to get the scatterbrained Doctor to focus.
She frequently looked the part of the smarter one  of the Trio because of Troughton’s Doctors need for misdirection and enemies to underestimating him.
Part of the reason for her wanting to travel with the Doctor is her chafing at the restrictions and sterile surroundings of her station-bound…

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The Mind Robber

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It’s not often that the opportunity affords itself to write a review of a story that is as close to perfect as Doctor Who can get.  So good, in fact, that it’s after this serial that my blog is named.  The Mind Robber is the epitome of all that is innovative, experimental and surreal about Doctor Who when it’s done correctly. With the addition of a last minute opening episode and Frazer Hines’ sidelining by chicken pox in episode two, The Mind Robber could easily have become an utter shambles. It’s to the credit of the writer Peter Ling, Script Editor Derrick Sherwin and Director David Maloney that it didn’t.

The Doctor was lucky to have not turned himself into fiction

The Doctor was lucky to have not turned himself into fiction

Myth has it that Peter Ling’s inspiration for The Mind Robber was the inability of soap opera audiences to distinguish fact from fiction.  Ling, who had never previously written for a science fiction programme, was well known as a writer for the British soap operas Compact (1962-1965) and Crossroads (1964 onwards), amongst others. It was on Crossroads that incoming Doctor Who story editor, Derrick Sherwin, and assistant story editor, Terrance Dicks, had also been engaged.  This soap, which centred on a motel, was filmed in Birmingham and it was on a train trip to that fair city that Ling, Sherwin and Dicks first discussed an idea that would eventually evolve into The Mind Robber script.

Rapunzel and the children of the Land of Fiction

Rapunzel and the children of the Land of Fiction

The Master of the Land of Fiction is a different character to the renegade Time Lord we meet in Season 8

The Master of the Land of Fiction is a different character to the renegade Time Lord we meet in Season 8

The inability of some viewers to comprehend that television dramas are fictional and not fact is not uncommon. Comedian, author and actor Toby Hadoke takes great delight in ridiculing such people in his stand-up comedy show, Moths Ate My Doctor Who Scarf. Hadoke, who starred as a Vicar in the soap Coronation Street in December 2000, was gobsmacked to actually receive letters from viewers asking if he might officiate at weddings.  “And these people can vote” he quipped!

Toby Hadoke - Stand-up comedian, actor and author of "Moths Ate My Doctor Who Scarf".

Toby Hadoke – Stand-up comedian, actor and author of Moths Ate My Doctor Who Scarf.

The fiction of children’s stories and classic mythology permeate The Mind Robber. Lemuel Gulliver, wind-up tin toy soldiers, Rapunzel, the Medusa, a Unicorn, Sir Lancelot and Blackbeard are amongst the characters which confront the Doctor and his crew.  Gulliver, who is originally named only as “A Stranger” is brilliantly portrayed by Bernard Horsfall, who only passed away in January 2013. Horsfall went on to appear in another three Doctor Who serials, all of which were directed by David Maloney – The War Games (1969), The Planet of the Daleks (1973) and The Deadly Assassin (1976). Tall and imposing, yet always polite and obliging, the fictional character from Gulliver’s Travels spoke only words and phrases taken directly from Jonathon Swift’s 1726 novel. The juxtaposition of Gulliver’s archaic but lyrical language with the Doctor and his companion’s modern English was superb. It was only in the final episode that Ling permitted Gulliver to speak lines other than those from the novel, however his language form remained Middle English.

The Doctor is initially menaced by Gulliver

The Doctor is initially menaced by Gulliver

The seamless transition of Jamie from Frazer Hines to Hamish Wilson was an imaginatively simple idea that meshed themes common to  both The Mind Robber and its preceding serial, The Dominators. When Hines succumbed to chicken pox early in the week of episode two’s shooting an immediate solution was required.  During the course of the 60s each episode of Doctor Who was filmed at the end of a week’s rehearsal. Save for sparse location shoots, material was not pre-recorded.  Recording was almost live, with only an hour and a half allocated for each 25 minute episode.  Given that only three video cuts were permitted for each episode, this necessitated the filming of scenes in their correct order and performances in a play-like fashion. Filming scenes from different episodes on the one day was unheard of.  Moreover, episodes were often filmed only two weeks prior to airing.  This meant that when episode one of a six part serial was broadcast the production of the final episode could still be a month away.

Hamish Wilson played the role of Jamie in episodes two and three

Hamish Wilson played the role of Jamie in episodes two and three

As a consequence of these production limitations the absence of a cast member presented extraordinary difficulties.  The luxury of filming out of order and six months in advance of screenings did not exist, so there was no means by which the ill actor could film their scenes at a later time. Hence the extraordinary decision to retain the character of Jamie in episode two but have him played by an altogether different actor. The fictional nature of the story, in which the Doctor and his companions were constantly confronted by challenges, afforded the opportunity for Jamie’s identity change to become part of a game. Having been turned into a life size cardboard cut-out, Jamie’s face was removed and he could not be animated again until the Doctor put the puzzle pieces of his face correctly together.  On a board where three or four photographs of eyes, noses and mouths.  In a flustered state the Doctor chose the wrong pieces and Jamie was reanimated with a different face.  When Hines returned in episode three Jamie was again transformed into a cut-out. The Doctor was successfully able to complete Jamie’s face puzzle, this time with the assistance of the very attentive Zoe. In the interim Wilson had superbly perfected Jamie’s mannerisms.

The Doctor and Zoe put Jamie's face back together

The Doctor and Zoe put Jamie’s face back together

The Doctor’s initial inability to correctly choose Jamie’s eyes, nose and mouth was reminiscent of his feigned stupidity in The Dominators. In an attempt to appear an imbecile in the previous serial the Doctor had intentionally failed a block test similar to one that a normal three year old would complete with ease. He was unable to match the wooden blocks with their correct holes and suffered electric shocks to his arms as a consequence.  No longer considered a threat, the Doctor and Jamie were subsequently released by the Dominators.

The Doctor with Rapunzel and the Karkus

The Doctor with Rapunzel and the Karkus

The Mind Robber contains the only episode of Doctor Who not to feature a writer’s credit.  Originally written as a four part serial by Peter Ling, the story was expanded to five episodes after the production fiasco that was The Dominators.  Having no budget for guest cast or additional props the production crew were faced with a very similar predicament to that in the season one story The Edge of Destruction. Having access only to the three main cast and the TARDIS console, Script Editor Derrick Sherwin wrote the opening episode to accommodate these restrictions. Akin to The Edge of Destruction, these constraints resulted in a minimalist masterpiece.

Wendy Padbury in the scene for which, unfortunately, she is perhaps best known

Wendy Padbury in the scene for which, unfortunately, she is perhaps best known

The TARDIS Explodes in the cliff hanger to episode one of The Mind Robber

Many of the most memorable scenes in The Mind Robber were Wendy Padbury’s.  The cliff-hanger of episode one featured a shiny cat-suited Zoe hanging onto the TARDIS console as it plummeted through space. That much of the scene focussed on Zoe’s bum must have been a cause for great delight amongst male viewers.  Zoe also enacted a wondrous pantomime fall and proved herself proficient in martial arts when she easily defeated the cartoon book character, the Karkus, in a fight.

Zoe fights the Karkus

Zoe fights the Karkus

Zoe and Jamie cling to the TARDIS console after the Ship explodes

Zoe and Jamie cling to the TARDIS console after the Ship explodes

The Mind Robber was almost certainly the naming inspiration for the New Series Doctor Who character Captain Jack Harkness.  The Master of Fiction had written 250,000 words of fiction as editor of the boys’ own magazine, The Ensign.  Captain Jack Harkaway  was one of the Master’s characters which like all others in the story, with the exception of the Karkus, was a fictional character in the real (non-Doctor Who) world.  The Master of The Mind Robber, however, is a completely different character to the renegade Time Lord that the Third Doctor first encounters in Season Eight.

The fictional character, Captain Jack Harkaway, was undoubtedly an inspiration in the naming of the new series character Captain Jack Harkness

The fictional character, Captain Jack Harkaway, was undoubtedly an inspiration in the naming of the new series character Captain Jack Harkness

Captain Jack Harkness is not to be confused with The Mind Robber's Captain Jack Harkaway

Captain Jack Harkness is not to be confused with The Mind Robber’s Captain Jack Harkaway

I could inevitably extol the virtues of The Mind Robber for several thousand more words however I’ll bother you not with more reading.  Instead I earnestly implore you to legally acquire a copy of the story and take in its pleasures yourself.  Watch Jamie and the Doctor climb Rapunzel’s hair, the snakes animating in the Medusa’s hair, and the Unicorn charging at our heroes.  I can assure you that you won’t be disappointed.

The source of many a nightmare - the Unicorn

The source of many a nightmare – the Unicorn

The Mind Robber was originally broadcast in the UK between 14 September and 12 October 1968

The Mind Robber was originally broadcast in the UK between 14 September and 12 October 1968

Vivien Fleming

©Vivien Fleming, 2013.

Perth Mint Announces 50th Anniversary 1 oz Gold Proof Coin

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ImageThe Perth Mint has today announced the release of the Doctor Who 50th Anniversary 2013 1 oz Gold Proof Coin.  With a limited edition of only 250 coins, these 99.9% Pure Gold coins are issued by the New Zealand Mint and legal tender for Niue, a South Pacific Island nation.  Retailing at $2,995.00 it’s highly unlikely that any of these $200.00 coins will find their way into circulation in Niue. The officially licensed product comes with a numbered Certificate of Authenticity and a prestigious wood display case. The reverse of the coin features an engraved relief of the TARDIS. Details are available from the Perth Mint website.

3326-doctor-who-50th-anniversary-2013-1oz-gold-proof-coin-shipper

The Perth Mint has also announced the 18 October 2013 release of a rare coin collection featuring eleven 1/2 oz silver proof coins – one for each of the Doctor’s current eleven regenerations. No further details on this release are currently available.

A limited mintage of 10,000 1 oz Silver Proof Coins released earlier this year has sold out., Featuring the same TARDIS design as the gold coin, the coin is also legal tender in Niue and has a face value of $2.00.  It retailed for $115.00.

The 1 oz Silver Proof Coin which has now sold out

The 1 oz Silver Proof Coin which has now sold out

Vivien Fleming

Peter Davison and Doctor Who’s 50th Anniversary

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Speculation is rife on the nature of Peter Davison’s involvement in Doctor Who’s 50th Anniversary celebrations.  Digital Spy has reported Davison to have said “I’m making an appearance somewhere over that period of time but I can’t reveal in what. I can’t reveal anything specific about it. I’m not allowed to. It is a big year for the show and we’re all doing our bit for it. Trust me.”

A recent photo of Peter Davison

A recent photo of Peter Davison

Davison, who played the Fifth Doctor from 1981 to 1984, could be alluding to anything from a convention appearance, of which he has four scheduled for November 2013, to a role in the 50th Anniversary special, The Day of the Doctor. 

BBC promotional poster for the Doctor Who 50th Anniversary Special, The Day of the Doctor

BBC promotional poster for the Doctor Who 50th Anniversary Special, The Day of the Doctor

In March 2013 TV Rage reported that Davison had denied being involved in the 50th Anniversary Special. Speaking at the Mysticon convention in the US Davison said “I don’t think it will involve the older Doctors, certainly in their present form, because of course we’re meant to look exactly as we did when we left the TARDIS and none of us really do. Some of us are not here any more and others of us have weathered less well than others. I don’t know where I’d put myself in that category. I’m not going to make that decision.”

Davison, along with Colin Baker, Sylvester McCoy and Paul McGann, was in Australia for the Lords of Time Conventions in April 2013.  It was at that time that the location shooting for The Day of the Doctor was being undertaken in the UK. Appearing on the Australian television morning show, the Sixth, Seventh and Eighth Doctors denied any official involvement in the official 50th Anniversary television special.

Three Doctors on Channel 9 Australia Morning Show

Perhaps the involvement that Davison is alluding to is audio rather than television. It has previously been confirmed that Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy and Paul McGann will be appearing in the special 50th Anniversary Big Finish audio production, The Light at the End.  Joining the five Doctors will also be Louise Jameson (Leela), Sarah Sutton (Nyssa), Nicola Bryant (Peri), Sophie Aldred (Ace), India Fisher (Charley Pollard), Geoffrey Beevers (The Master).  The Light at the End is due for release in November.

Big Finish 50th Anniversary Official Audio Aventure.

As to what Davison’s true involvement in the 50th Anniversary celebrations is remains to be seen.  With only a little more than two months left until 23 November we don’t have long to wait for the answer.

Vivien Fleming

©Vivien Fleming, 2013.

TARDIS Found in Missing Van Gogh Painting

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You can’t deny that Doctor Who fans have a sense of humour.  Following the announcement on Monday that a painting found languishing in a Norwegian attic was a canvas by the Dutch artist Vincent Van Gogh, Doctor Who fans have identified the mysterious blue building in the top left hand corner as the TARDIS. Van Gogh is a favourite of Whovians following the Series Five episode, Vincent and the Doctor (2010). 

Tony Curran appeared as Vincent Van Gogh in the 2010 episode Vincent and the Doctor.  He is pictured here with Amy.

Tony Curran appeared as Vincent Van Gogh in the 2010 episode Vincent and the Doctor. He is pictured here with Amy.

Andy Macdonald of the CBC New Community Blog posted an article on the TARDIS revelation yesterday.  Macdonald’s article can be found here.

You can read about the discovery of the lost masterpiece, Sunset at Montmajour, here.

Matt With Wig – Doctor Who Christmas Special Filming

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Filming has commenced for the 2013 Doctor Who Christmas Special  and on 10 September the crew was spotted in Cardiff. Matt Smith, who is currently bearing a skin-head type hairdo following his filming of How to Catch a Monster in Detroit earlier this year, donned a floppy hair wig for the occasion. The Christmas Special will be Smith’s last appearance in Doctor Who and will see him regenerate into the Twelfth Doctor, Peter Capaldi.

Matt Smith in How to Catch a Monster

Matt Smith in How to Catch a Monster

You can find two pages of photographs on flickr here. No copyright breach is intended.

BBC Reveal Doctor Who 50th Anniversary TV Schedule

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Unfortunately the link to BBC Entertainment News has already been deleted. Was the statement released too early by accident or was it incorrect? Only time will tell.

The Cockney Charmer's avatarNothing Is True

Doctor-Who-50

BBC.co.uk’s Entertainment News have revealed the BBC’s plan to celebrate Doctor Who’s 50th Anniversary in November:  *Update 23:00pm- BBC removed the page very quickly just after I published this article, clearly they released information far too early as BBC Ones Official Twitter account this evening, said that they will be revealing the plans at midnight – oops*

Day of the Doctor Poster

The BBC has announced a raft of programmes to mark the 50th anniversary of the first episode of Doctor Who. A 75-minute special called The Day Of The Doctor will star the soon-to-leave Matt Smith and David Tennant. Smith said: “Hope you all enjoy. There’s lots more coming your way.”

Other highlights include a BBC Two lecture by Professor Brian Cox on the science behind…

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The Dominators

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Almost universally condemned as one of the worst Doctor Who serials ever, The Dominators was the serial Patrick Troughton personally requested be screened at the convention he was attending at the time of his death. Perhaps Troughton could see something of merit in The Dominators that fans and critics were unable to discern. But then again, in 1987 there weren’t many extant Second Doctor serials available. There aren’t many more accessible today. That’s probably reason enough to at least try to detect something favourable about the serial.  Thankfully the good contributors to Celebrate Regenerate have come to our rescue and said this about The Dominators:

The Quarks were less than convincing as monsters

The Quarks were less than convincing as monsters

I think I knew The Dominators was the weakest of the bunch.  But I still loved it: it was funny.  It’s the only Doctor Who story I know of that’s based on a clash of household furnishings.  Guys wearing sofas invade a world of people dressed in curtains.  The natives immediately surrender to them despite the fact that they’re incompetent (those other ten galaxies must have really been pushovers).  And then there are the Quarks.  Small, slow, waddling, penguin-esque with squeaky voices and very low-capacity batteries.  But at the end of the day , I love the Dominators …

Edited by Lewis Christian, Celebrate Regenerate is a fan produced chronicle of every Doctor Who episode

Edited by Lewis Christian, Celebrate Regenerate is a fan produced chronicle of every Doctor Who episode

Save for its slowness and distinct lack of plot, the principal criticism directed at The Dominators is the writers’ reactionary premise that pacifism is abhorrent and pacifists gullible and unintelligent. In their third and final outing as writers for Doctor Who Mervyn Haisman and Henry Lincoln took a direct swipe at the growing anti-war movement. The Dulcians are pacifists and presented as unquestioning morons. Although they have two hearts they are physically weak and not use to manual labour.  When forced to labour as slaves to the aggressors, the Dominators, they are next to useless and are seen to struggle under the burden of moving heavy rocks.  The Dulcians’ education system appears to prioritize rote learning over intellectual enquiry and they accept any statements as fact until they are otherwise proved false. It isn’t too hard to envisage what Haisman and Lincoln’s perception of anti-war protestors were.

The Dulcians are not use to physical labour

The Dulcians are not use to physical labour

The Dominators was not Doctor Who’s first anti-pacifist adventure.  That dishonour goes to Terry Nation’s The Daleks in which the gorgeous Thals are pilloried for their being unprepared to fight .  In my review of The Daleks I examined Nation’s contempt for the 1930’s British policy of Appeasement.  Unlike the Thals, Haisman and Lincoln do not afford the Dulcians any redemption. They are portrayed in an unfavourable light throughout the whole of the serial. Given that Doctor Who has generally taken a more liberal view on political issues this contempt for pacifism is all the more extraordinary.

The aliens with perhaps the most inept name ever, the Dominators

The aliens with perhaps the most inept name ever, the Dominators

More than 40 years later such distain for pacifism was again evidenced in Toby Whitehouse’s Series Six story, The God Complex (2011). This time, however, a reactionary political message was veiled in humour. When the Eleventh Doctor asks Gibbis, a native of Tivoli, how he arrived at the “hotel” his response was enlightening – “I was at work.  I’m in town planning. We’re lining all the highways with trees so invading forces can march in the shade. It’s nice for them”.  Tivoli is the most conquered planet in the galaxy and its residents have resigned themselves to being constantly overrun. Accordingly they welcome invading armies and their national anthem reflects the ease with which they accept domination – “Glory to <Insert Name Here>”.

Another pacifist portrayed in an unfavourable light was Gibbis in The God Complex (2011)

Another pacifist portrayed in an unfavourable light was Gibbis in The God Complex (2011)

What I also found disturbing about The Dominators was the patriarchal nature of the Dulcians’ society.  Only men, and old ones at that, are members of their governing council.  Certainly there are numerous other Doctor Who serials which are guilty of not positively representing women, however The Dominators totally disenfranchises them.  I would hope that this says more about the writers’ views than those espoused by the producers of Doctor Who.  That being said, the decision to give the Quarks childish female voices is bizarre, to say the least.  Hitherto all monsters, without exception, have had masculine voices even if their bodies are not specifically gendered. The one and only time that a woman is used to voice a monster, the voices are clumsy and laughable.  It left me wondering if this was some form of bad joke in which women, in general, were being ridiculed.

Only men are members of the Dulcian ruling elite

Only men are members of the Dulcian ruling elite

Unfortunately the Quarks proved to be appalling monsters.  Small in stature, school children were encased within them for the filming. They shuffled around, always looking as though they were about to tumble over, and had arms that were even more impractical than the Daleks’.  They were easily defeated, at one stage by a conveniently light boulder pushed from a hill top by Cully, the only resident of Dulkis to rebel from their pacifism. Created by Haisman and Lincoln specifically for their marketing potential, the Quarks were almost the subject of legal proceedings between the writers and the BBC. Relations between the writers and Doctor Who deteriorated further when the serial was cut from six episodes to five and substantially rewritten.  Haisman and Lincoln sought to have their names removed from the credits and accordingly a pseudonym, “Norman Asby”,  which was taken from the first names of the writers’  father-in-laws, was adopted.

The marketing rights to the Quarks almost resulted in legal proceedings between the writers and the BBC

The marketing rights to the Quarks almost resulted in legal proceedings between the writers and the BBC

Although the Quarks were never again seen on TV they were encountered in comics

Although the Quarks were never again seen on TV they were encountered in comics

The Doctor’s ethics in The Dominators are also questionable.  He is responsible for the deaths of the two Dominators after he places their atomic seed-device, intended to destroy the planet, onto the aggressor’s own space craft.  This is plainly an example of lazy writing as it was the easy option for disposing of the bomb quickly. Surely the Doctor could have diffused  it rather than acting as judge, jury and executioner.

The Doctor and Jamie hold hands again

The Doctor and Jamie hold hands again

Despite its many failing I surprised myself by actually enjoying The Dominators.  Perhaps I was just relieved at watching the first complete serial since The Tomb of the Cybermen or maybe, just maybe, I could see in the story the good that Patrick Troughton evidently saw.  I really don’t know, however I am sure that our next story, The Mind Robber, lives up to its reputation as Troughton’s favourite serial.  Please join me for my next review as we enter the land of fiction.

The Dominators was originally broadcast in the UK between 10 August and 7 September 1968

The Dominators was originally broadcast in the UK between 10 August and 7 September 1968

Vivien Fleming

©Vivien Fleming, 2013.

The Hartnell Years – In Colour

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I was recently browsing YouTube and came upon this fabulous compilation of colourized clips from William Hartnell’s tenure as the First Doctor.  Here’s what the producer, who is known only by the alias of “It’s far from being all over”, says about his work:

“My Tribute to the man that started it all, William Hartnell.

I always felt many of his adventures deserved to be seen in colour, so I set to work. It’s taken about three months and I’ve colourised something in the region of 2,125 frames – one by one, frame by frame. 

Some clips work better than others – as I reached the end I found myself dropping shots I didn’t like and recreating new ones! It’s been a labour of love and I hope you enjoy seeing some classic 60’s Doctor Who – in Colour!

Big thanks to ‘Pelham Cort ‏aka @johnxgin3’ for his colour references and support throughout – I’ll do some Troughton soon! “

The Hartnell Years – In Colour