So pervasive was the force of American television popular culture on this child of the 1960s that every time I type An Adventure in Space and Time,the forthcoming docudrama on the genesis of Doctor Who,I have to make a correction that the spell checker never picks up. What error could this be, I hear you ask? Well, for the last 40 odd years a catchy little theme song has been running through my head that goes something like this “It’s about time, it’s about space, about two men in the strangest place …”
Yes, the Sherwood Schwartz created one season science fiction comedy series, It’s About Time,will forever make me type An Adventure in Time and Space.This 1966-1967 CBS show was in production at the same time as Schwartz’s more famous offering, Gilligan’s Island.It’s About Time chronicled the adventures of two astronauts that travelled faster than the speed of light and somehow found their way back to the prehistoric times. Their interactions with the locals were the constant cause of merriment.
The stars of It’s About TimeFrank Aletter and Jack Mullaney
Having watched the short YouTube clip memories of my Australian childhood came flooding back as I recalled the days when we had only three TV stations. It wouldn’t have mattered that It’s About Timewas filmed in wonderful “Technicolor”, because we still only had black and white TV. Colour transmission didn’t begin in Australia until 1 March 1975. Name an American children’s themed TV show of the Sixties and you can be sure that it was played ad nauseam on one of Australia’s networks.
The clan of cavemen, in wonderful Technicolor, from It’s About Time
I couldn’t help but notice the similarities between episodes two, three and four of An Unearthly Childand It’s About Time.The Cave of Skulls, The Forest of Fearand The Firemakersaw the Doctor and his companions, Ian, Barbara and Susan, caught in pre-historic times and at the mercy of likes of Za, Kal, Hur and Horg. As Season One of Doctor Whowas never aired in the US the likelihood of Sherwood Schwartz having seen, let alone heard, about Doctor Whois negligible. Stranger things have happened, though!
A monochrome Doctor is at the mercy of cavemen in An Unearthly Child
The anticipation for the Doctor Who50th anniversary docudrama, An Adventure in Space and Time,is growing daily as the BBC drip-feeds publicity stills, posters and interviews for the forthcoming drama. The 90 minute special, which was penned by Doctor Whoand Sherlockwriter Mark Gatiss, will air on ABC1 in Australia on Sunday 24 November 2013 at 8.45 p.m.
The Radio Timespublished two retro inspired posters yesterday for what Mark Gatiss has described as his “love-letter to Doctor Who”.The BBC Media Centre has also released a Media Pack for An Adventure in Space and Timewhich includes an interview with Mark Gatiss, together with press releases and short interviews with the show’s stars – David Bradley (William Hartnell), Jessica Raine (Verity Lambert), Brian Cox (Sydney Newman) and Sacha Dhawan (Waris Hussein).
The BBC Doctor Who Facebook page has created a digital invitation to the 50th Anniversary Special, The Day of the Doctor,which allows you to put your name and face into the opening titles. You can then share it with all your friends. Access to the invitation generator can be found here.
In the meantime you can check out the Doctor Who Mind Robber’sinvitation here.
The Doctor Who Club of Australiahas today reported that An Adventure in Space and Time,the 90 minute drama on the beginnings of Doctor Who,is to screen on ABC1 at 8.45 p.m. on Sunday 24 November 2013. The Mark Gatiss penned docudrama will be broadcast following the repeat of the 50th Anniversary Special, The Name of the Doctor,at 7.30 p.m. The Name of the Doctorwill first be simulcast early on the morning of 24 November. The time has not yet been announced.
David Bradley with Claudia Grant as Carole Ann Ford (Susan Foreman) in An Adventure in Space and Time
Together with showing repeats of Series 6 of Doctor Who each weekday evening at 7.40 p.m. ABC2 is also screening a series of Doctor Who Specials on Sunday nights at 7.30 p.m. Episode 1, which screened last Sunday night and is repeated this evening at 10.30 p.m. is The Science of Doctor Who. Next Sunday, 3 November, is The Women of Doctor Who and the following Sunday, 10 November is The Timey-Wimey of Doctor Who.All specials are repeated on ABC2 on the Tuesday following their original broadcast and are available on iTunes for at least a week thereafter.
Sacha Dhawan as Waris Hussein, the Director of An Unearthly Childand Jessica Raine as Verity Lambert, Doctor Who’s first Producer
To read our article on An Adventure in Space and Timeclick here. For a detailed article on Doctor Whofrom an Australian perspective click here.
In the lead-up to Doctor Who’s 50th Anniversary the Radio Timeshas been running an online poll on the Greatest Companion Ever. Voting has now closed and the results will be announced on the anniversary date, 23 November 2013. Today and for the following two days the Doctor Who Mind Robber will be ruminating on our Top 3 Female and Male Companions of the Sixties, together with the 3 companions who failed to live up to our expectations. Your comments on our choices would be greatly appreciated.
3. Vicki
On 10 July we posted an article on Vicki, the First Doctor’s companion who was hastily shown the door at the conclusion of The Myth Makers. Here’s how we described her tenure:
I have to admit I really liked Vicki. Young, perhaps no more than 17, she had a vibrancy that had been missing in her predecessor, the Doctor’s grand-daughter, Susan. As a former secondary school teacher I envied the way she was schooled. In The Web Planet Vicki incorrectly assumed that Barbara had taught at a nursery school because they “worked upwards from the three Rs.” The curriculum of Coal Hill School in 1963 seemed like child’s play to her. At the age of 10 she took a certificate of education in medicine, physics and chemistry. When asked by Barbara how long she spent in the classroom Vicki was totally perplexed. She’d spent almost an hour a week with a machine. Life in 2493 must have been a child’s dream existence!
Vicki, Steven and the Doctor in The Time Meddler
Vicki was a member of the TARDIS Crew in episodes which screened from 2 January 1965 until 6th November 1965. In just under 12 months Vicki had gone from an orphaned girl stranded on the planet Dido to the love interest of Troilus, son of the King of Troy. During that time, however, there was little in the way of character development. Save for when we met Vicki in The Rescue and she was clearly suffering from the effects of Bennett/Koquillion’s abuse, she remains a vibrant and forthright young woman throughout. As I have previously lamented, it was a shame that the opportunity wasn’t taken to examine the long term effects of this abuse on Vicki, however my concern for Post Traumatic Stress Disorder plainly comes from a 21st century perspective.
Koquillion menaces Vicki in The Rescue
This absence of character evolution says much about the 1960′s perception of women, particularly young ones. In the 1960s the median age of first marriage for women was around 20 years of age. Career opportunities were limited and pay was not equal. Although unable to locate figures for the United Kingdom, Australia as a Commonwealth country would have been reasonably similar. Until 1966 the Australian Public Service required single women to resign from their positions on the eve of their marriage. Equal pay was not granted until 1972. Is it any surprise, therefore, that women were portrayed as either children or mothers? With women having perhaps only five years between leaving school and marriage, this period between childhood and motherhood was marginalized and frequently forgotten.
Vicki – I hope that tasted nice!
When we first meet Vicki she is in a stereotypical role as carer for Bennett. As Bennett is supposedly crippled and unable to work, Vicki is compelled to undertake all the chores including collecting water, cooking and cleaning. She isn’t seen to complain about this notwithstanding the absence of any thanks from Bennett. Once a member of the TARDIS Crew, Vicki is somewhat of a companion for the Doctor – a faux grand-daughter, if you like. The Doctor has someone to fuss around, care about and instruct. She provides him with moral support and most probably a sense of identity. She is close by his side in The Romans and The Crusade and does not distance herself in any great manner until The Space Museum, where she becomes involved with the young Xeron rebels and seems to start a revolution for fun. A potential love interest comes to nothing. Although coupled with Steven for much of The Time Meddler, Vicki is back at the Doctor’s side during Galaxy 4. In her final serial, The Myth Makers, Vicki is again separated from the Doctor but only because he’s compelled her to remain in the TARDIS because of a sprained ankle. As was the case with both Susan and Barbara, female companions in Doctor Who are overly susceptible to wrenching their ankles. They require time to recuperate from such injuries, unlike Ian who was frequently knocked unconscious and seemed able to get up, and shake it off, each time.
Vicki with the Doctor in The Crusade
Quite phenomenally Vicki is capable of falling in love with Troilus in less than 24 hours, most of which time she was a prisoner in a dungeon. This love affair was even quicker than Susan and David’s in The Dalek Invasion of Earth. Having pleaded with the Doctor in The Crusade not to leave her as the TARDIS was her only home, Vicki was extraordinarily quick to leave its confines in The Myth Makers. The television audience is not even privy to Vicki’s farewells to the Doctor as they take place out of camera shot inside the TARDIS. The Doctor, nonetheless, appears satisfied with her explanation which seems to have been that she didn’t want Troilus to think she had betrayed him.
Although spending one’s life travelling in a blue wooden box through time and space may appear somewhat aimless, it’s certainly more secure than with a bloke you’ve only known for a day; in a time several thousand years before your own; and in a land where your love’s home City has been destroyed. Ever quick to point out logical flaws in a witty manner, Wood and Miles in About Time 1 couldn’t help but extrapolate on a grave problem that Vicki and Troilus would be confronted by. As the TARDIS translates languages for the benefit of the Crew and persons they meet along the way, once it had left then the two lovers would be unable to communicate with each other. Unless, of course, Vicki had learnt Ancient Greek, the language that Homer attributes to the Trojans in Iliad, in school!
Vicki and Troilus in The Myth Makers
Aside from the characterization failures in Doctor Who, the reality of Maureen O’Brien’s hasty exit from the role of Vicki appears to lay in programme’s change of producer. According to Howe, Walker and Stammers in The Handbook, O’Brien had been cast by Verity Truman having been suggested by one of her former drama teachers who then was in the employ of the BBC. The new producer, John Wiles, replaced Truman beginning with the production of The Myth Makers, although he had shadowed Truman during the making of Galaxy 4. Wood and Miles argue that “Wiles had noticed her tendency to pick holes in the dialogue during rehearsals for Galaxy Four, and made arrangements to have her removed while the cast were on holiday”. It was on her return from a week’s break given to the regular cast whilst Mission to the Unknown was filmed that O’Brien heard of her dismissal. Although the new character of Katarina was going to replace Vicki it soon became evident to Wiles and story editor, Donald Tosh, that Katarina’s Trojan naivety would make her an unsuitable companion. It’s for that reason that Katarina was just as hastily written out of Doctor Who in the fourth episode of The Daleks’ Master Plan.
So ends the less than a year long tenure of Maureen O’Brien as Vicki. This was but the beginning of a revolving door of companions which would grace the screens of Doctor Who over the next several years.
Vicki as we first meet her
2. Barbara Wright
Barbara first met the Doctor when she and fellow Coal Hill School teacher, Ian Chesterton, went to 76 Totter’s Lane to check on the welfare of one of their students, 15 year old Susan Foreman. Kidnapped by the Doctor after they entered the TARDIS, Barbara and Ian remained with the Doctor for two years until they took control of the Dalek time-machine at the end of The Chase. Their return to 1965 London was a joyous occasion as snapshots of them frolicking before prominent landmarks were flashed up on the screen.
The Doctor’s grand-daughter Susan, with her History Teacher, Barbara Wright and Science Teacher, Ian Chesterton in An Unearthly Child
Barbara’s excellent knowledge of history was useful during the Doctor’s early journeys and undoubtedly assisted the programme’s mandate to both entertain and educate. She was more accepting of the unknown than Ian and was quicker to acknowledge that the tales that the Doctor and Susan spun about the TARIS were indeed true. When the TARIS crew visited South America in The Aztecs she was able to draw upon her knowledge of Spanish settlement and traditional Aztec culture and religion. That, unfortunately, led her to the false belief that by assuming the mantle of the reincarnated priest, Yataxa, that had been thrust upon her, that she could change the course of history and end human sacrifices. The Doctor was quick to point out to Barbara the folly of believing that history could be altered. She was also able to utilize her knowledge of history in The Dalek Invasion of Earth when she bamboozled the Daleks with some historical falsities and in The Reign of Terror, when she was able to identify the period of French history in which they’d materialized.
Yetaxa in all her finery as Barbara masquerades in The Aztecs
Unusually for a woman in her mid thirties, Barbara wasn’t married. Perhaps the negative stereotype of spinster school ma’ams had been adopted here. Barbara was not without romance, however. She came upon several suitors during the course of her companionship, although none matched the tenderness of her relationship with Ian. Although never openly remarked upon, it was clear that Barbara and Ian had become more than just colleagues. Their joyful banter whilst reclining in luxury during The Romans was indicative of a particularly strong personal relationship. The tenderness between Barbara and her fellow companion Ian was undoubtedly a silent nod to a love that couldn’t be broached on Saturday tea time family TV. One can only dream that they became a couple and lived in marital bliss upon their return to earth.
The character of Zoe was arguably the first companion in Doctor Who to reflect the changing views on women that arose with the second wave of feminism. A teenage genius, Zoe first met the Doctor and Jamie in final serial of Season 5, The Wheel in Space. She remained with the Doctor until the end of the monochrome era when all three stars left in the final episode of The War Games. My review of The Wheel in Space included a detailed introduction to Zoe. She was an astrophysicist and astrometricist first class and employed as the Wheel’s parapsychology librarian. Her perfect recall of scientific facts and ability to undertake mental calculations faster than a hand-held calculator were the consequence of her being brainwashed by the City’s educational institution. She had total faith in the ability of pure logic to provide all the answers required. Zoe’s future adventures would soon show this to be a folly and the Doctor quickly, but tactfully, advised her on the limitations of logic alone. Perhaps the Second Doctor’s most famous quote was to Zoe in The Wheel in Space when he stated, “Logic, my dear Zoe, merely enables one to be wrong with authority”.
Zoe and Jamie with the white robots in The Mind Robber
Zoe was the first companion with an intellect to match the Doctor’s. Zoe’s extraordinarily high intelligence was remarked upon several times in The Krotons. She told Selris that the “Doctor’s almost as clever as I am” whilst earlier the Doctor had said to him, “Yes, well, Zoe is something of a genius. Of course it can be very irritating at times”. In The Invasion she blew up the automated answering machine at International Electromatics by presenting it with a ALGOL problem that it was unable to answer. She also assisted in the destruction of the entire fleet of Cybermen ships by mathematically calculating the correct alignment and course of projectile for the Russian missiles targeted at the ships. The Seeds of Death saw her piloting a space rocket.
The delightful Wendy Padbury as Zoe Heriot
The Doctor, however, was never seriously concerned by Zoe’s brilliance. There was no sense of threat and never a suggestion that her intellect was unbecoming of a young woman. That’s not to say that Zoe didn’t escape entirely from the scourge of sexism. In The Invasion the UNIT soldiers’ praise for Zoe masked an underlying sexism when she was described as “prettier than a computer”.
Jamie is initially reticent to accept Zoe as a member of the TARDIS Crew in The Wheel in Space
Zoe challenged assumptions on the role of women more by her deeds rather than by words. On at least one occasion, however, she verbalized the thoughts of women of that era. Undoubtedly buoyed by the support of Isobel Watkins in The Invasion, Zoe took offence at Jamie’s sexism when she stated “Just because you’re a man you think you’re superior, don’t you”. Zoe’s relationship with Jamie, however, was otherwise positive. Although less intellectually capable than his friend, Jamie is never mocked or derided by Zoe.
Zoe and Jamie cling to the TARDIS console after the Ship explodes in The Mind Robber
Both Zoe and Jamie were returned to their own time in episode 6 of The War Games, with their memories wiped of all but their first adventure with the Doctor. Donna Noble was not the first to suffer this fate. The Doctor’s companions’ departures were heartbreaking and perhaps the most poignant of Classic Series Doctor Who.
The Doctor Who 50 Years’ Trailer was tonight broadcast in Australia on ABC1. The 60 second teaser was aired after Kakaduand just prior to the 8.30 p.m. start of Luther. In all respects the trailer is identical to the one shown on BBC One seven days earlier with the exception of the final sting. As Australia’s time is ahead of Britain’s the simultaneous broadcast of the 50th Anniversary Special, The Day of the Doctor,on the evening of 23 November UK time will actually be early on the morning of 24 November 2013, Australian time. The sting on the Australian version of the trailer therefore states 24.11.13.
The Radio Times is a weekly radio and television programme guide which has been published in the UK since 1923. Owned and published in house by the BBC until 2011, the publication is now owned by Immediate Media Company. Prior to the deregulation of British television listings in 1991 the Radio Times only carried listings for BBC radio and television programmes. Since then the magazine has comprehensively listed programmes on all networks.
The first article published by the Radio Timeson Doctor Who on 21 November 1963 discussed the exciting new adventure series starring William Hartnell
Doctor Who has been represented in more Radio Times covers than any other programme, with 29 issues featuring Who on its cover. Today the Doctor Who Mind Robber will review the five best Doctor Who Radio Times covers of the Sixties.
The return of the Daleks was worth a Radio Times Cover story when the Second Doctor’s first serial, The Power of the Daleks, was broadcast in November 1966.
A rare colour cover for 1960s Radio Times with Patrick Troughton as the Second Doctor in The Enemy of the Worldin January 1968.
As a comparison with the current era, here’s a September 2012 cover of the Radio Times featuring the Eleventh Doctor, Amy and Rory. The Daleks are still a major draw card.
A September 2012 Radio Times cover for the premier Series 7 episode, The Asylum of the Daleks
The success on iTunes of the recently recovered Troughton era serials, The Enemy of the Worldand The Web of Fear, has conclusively shown that 45 year old monochrome Doctor Who can successfully compete against the best current release TV shows. An article in the UK’s Mirrornewspaper states that in the first three days after the release of the two stories 10,000 series pass downloads were sold. Presumably this figure is for sales in the UK only. The article goes on to state that to date there have been 73,000 episode downloads.
The Enemy of the World and The Web of Fear have only been released on iTunes in the UK, US, Canada and Australia. Enemy is due for release on DVD in late November and Web is due sometime in the New Year. Rumours continue to surface that Marco Polomay have been recovered and is soon to be released.
In the light of Doctor Who’s missing episodes hysteria the Doctor Who Mind Robber today looks at 5 Serials that you’d swap for missing episodes. Even the most rabid of fans acknowledge that the output of Doctor Who has never been consistent. Some stories are brilliant whilst others would have been best left unmade. As 97 episodesare still claimed by the BBC to be missing from their archives, which extant episodes would you willingly ditch for a recovered one?
The Sensorites is the most unloved serial of Season One Doctor Who. In a documentary included in the Special Features of the DVD release comedian Toby Hadoke described the serial in the following way:
The Sensorites. Poor, unloved, The Sensorites. Nestling, lost somewhere, down the back of the fans’ collective sofa. There it lies at number 7 in the first heady year of Doctor Who. It didn’t even have the decency to be wiped so we could all mourn its loss, and imagine how brilliant it must have been. It’s not a story anyone really talks about. We certainly don’t know that much about it …
Although beautifully directed The Ark has undoubtedly the worst monsters in Classic Series Who, the Monoids. In my review I described the Monoids like this:
Also travelling on the spaceship are an assortment of animals and the Monoids, a peculiar mute race whose most distinctive feature is their one eye. This single eye is in their mouths, or at least what would’ve been their mouths if they had human anatomy. These eyes are actually painted ping pong balls which the actors held in place with their mouths. Now that’s ingenious small budget special effects for you! On the top of their heads is a long Beatles style mop top wig, whilst the rest of their bodies are clothed in green ill fitting garb. They have webbed hands and feet and move slowly.
The Keys of Marinus is the second of two little regarded serials in Doctor Who’s first season. The six parter was among the more expensive stories to produce as each episode took place in a different location of Marinus. Season 16’s The Key to Time is not dissimilar. Unfortunately the variety of locations makes for a disjointed serial and the chief monsters, the Voord, are what young people today might best describe as “rubbish”. With wet suit clad bodies and swimming flipper feet their most redeeming features were their quite unusual heads.
In my review of The Space Museum I discussed the DVD extra, Defending the Museum. In it the writer Rob Shearman outlined his devotion to The Space Museum which rests solely upon the assumption that the storyis a parody of William Hartnell era Doctor Who episodes. The aggressors, the Moroks, are little more than morons who invade a planet only to turn it into a museum for their past achievements. The rebels are excruciatingly bad. Dressed in black polo neck jumpers, they look like students in a coffee bar. Vicki starts a revolution only because she’s bored and the native Xerons don’t need a great revolutionary, just a locksmith! That The Space Museum can only be appreciated if it’s considered a parody says much for the low esteem in which it’s generally held. The serial is unlikely to be missed.
The Doctor hiding inside the casing of a Dalek exhibit is one of the best parts of The Space Museum
I was so utterly bored by The Web Planet that I couldn’t even find the enthusiasm to review it. The best parts of the story are William Hartnell’s “Billy Fluffs” and when an extra ran slap bang into a camera and it wasn’t edited out. This fan made compilation clip, however, is brilliant.
The recently recovered missing serial The Enemy of the Worldis set for DVD release in Australia and New Zealand on 27 November 2013. Although both The Enemy of the Worldand The Web of Fearwere released on iTunes Australia on 11 October, neither of the serials are available on iTunes in New Zealand. Like Australia, New Zealand has purchased and aired Doctor Whosince the very first story, An Unearthly Child,almost 50 years ago. The BBC’s snub of New Zealand fans is deplorable. As The Web of Fearis not due for DVD release until sometime in the new year, New Zealanders still have a long wait to see the Brigadier’s debut.
Details on what, if any, special features are included in The Enemy of the Worldhave yet to be released. The latest issue of the Doctor Who Magazinestates that “Enemy is due to be released on DVD in November, along with special features yet to be confirmed”. The British Board of Film Classification appears not to have approved any special features to date. A basic release without special features has become known in fandom as a “vanilla” release.
The current edition of the Doctor Who Magazine with The Enemy of the World cover. This edition of DWM is also available with a special edition cover featuring The Web of Fear
Enemyis currently available for pre-order at both the BBC Doctor Who online store and the ABC Shop for $19.95. As both retailers ordinarily sell new release Doctor Whoclassic series DVDs for $29.95 one wonders if the discounted price reflects a “vanilla” release. Alternatively, the reduced price may be based upon the assumption that purchasers have previously bought the release for $14.99 on iTunes. Only time will tell!
A Radio Timesproduced retro poster for The Enemy of the World
Yesterday the Doctor Who Mind Robber looked at the Second Doctor’s peculiar penchant for hats. Today we examine the First Doctor’s accessories. By accessories we refer to anything worn or used by the Doctor to compliment his clothing or to assist in his business as a time-travelling hero. The First Doctor is perhaps best known for his blue signet ring, pictured above. Together with being decorative the ring also had special powers. Amongst other things it controlled a Zarbi and opened the main doors of the TARDIS in The Web Planet;unjammed the TARDIS’s locking mechanism in The Daleks’ Master Plan;and hypnotised Dodo in The War Machines.In the days prior to the sonic screwdriver, which was introduced in the Second Doctor’s tenure, the First Doctor’s signet ring worked magic.
The First Doctor first appeared in eccentric garb with a cape, long scarf and fez type hat
The Doctor’s cape is seen more clearly here in the first episode of An Unearthly Child.This scene has been recreated for An Adventure in Space and Time
The recreated scene in An Adventure in Space and Time
For the first and only time in Doctor Who’s history that the Doctor is seen to smoke is in An Unearthly Child. Patrick Troughton was seen smoking a cigar in The Enemy of the World but was playing the Doctor’s evil double, Salamader, at the time.
In The Massacre the Doctor wore a tall hat, not altogether dissimilar to that which the Second Doctor would become known for. The Doctor is also seen to wear a decorative gold chain on his cape and a cane